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1 of 1 copy available
1 of 1 copy available
The original novelization of King Kong, featuring a new introduction by Jack Thorne, the Tony-winning playwright of King Kong: Alive on Broadway, and cover art by the celebrated Olly Moss
 
The giant primeval gorilla King Kong is one of the most recognized images in our culture. So great is the mighty Kong’s hold on the popular imagination that his story has inspired an entire cinematic universe. Now the legendary monster comes to the stage in the brand-new musical King Kong: Alive on Broadway.
 
Beneath King Kong’s cultural significance, however, is a tense and surprisingly tender story. One cannot help but be frightened by Kong’s uncontrollable fury, be saddened over the giant’s capture, mistreatment, and exploitation by venal showmen, or sympathize with the beast’s ill-fated affection for the down-on-her-luck starlet Ann Darrow.           
 
With a foreword by Mark Cotta Vaz, the preeminent biographer of Merian C. Cooper, producer of the original 1933 classic film.
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    • Publisher's Weekly

      December 5, 2005
      Rudnicki provides his melodious baritone to this novelization of the classic movie, King Kong
      , which is pretty much the 1933 screenplay, scene for scene. Rudnicki presents the story in a straightforward, no-nonsense manner. He keeps his characterizations diverse but restrained, even when dealing with the natives on Skull Island and their 1930s fabricated language. He maintains a solid, respectful tone for the somewhat dated and melodramatic prose and provides a fine, laid-back performance. Even more enjoyable are the commentaries found on disc five. Of the commentators presenting their thoughts on the film, Ray Bradbury and Ray Harryhausen give the most reverent testimonies, crediting their viewing of the original King Kong
      as a life-changing event. In contrast, Orson Scott Card states that he just doesn't get all the hubbub. For him, the film, with its primitive-by-today's-standards animation, is "a complete bust." With curmudgeonly charm, the most humorous commentary goes to Harlan Ellison, who praises the original 1933 film and vilifies those who would seek to remake it. The other commentators (including Larry Niven, Catherine Asaro, Jack Williamson, Marc Scott Zicree) offer various insights to Kong
      , but most tend to be fond tributes to this ultimate tale of the beast and his beauty. Simultaneous release with the Modern Library paperback.

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