Sanctuary

March 1, 2018

Gr 5-8-Craig McGowan continues his work investigating crimes in Edinburgh at the behest of Silex, a gargoyle watching over the city from the cathedral roof. Craig looks into strange disappearances and a resurgence in crimes that haven't been committed in nearly 100 years and is drawn to a girl demanding sanctuary of the church's new priest, chased by a mysterious cloaked figure and spectral hounds. Evolving from the first volume, the artwork presents the narrative primarily from Craig's perspective, using framing devices to indicate storytelling and information from other sources. An addition of ink wash gives the visuals depth and atmosphere and provides a better presentation of gloom, weather, and the city than the stark linework of the previous tale. However, the action sequences remain muddled, lacking clear transitions between frames and scenes and failing to establish dynamism when it is required. The novel fails to reveal further depths or details about the characters beyond the purposes of plot. A final expository spread papers over plot points and promises a third tale in a manner designed to be ominous, but which leadenly violates the fair play aspect of readers being able to potentially solve the mystery. VERDICT The gothic atmosphere will entice some, and any previous readers of the series will appreciate the artistic growth of the illustrator, but the weak execution of the storytelling won't create many loyalists.-Benjamin Russell, Belmont High School, NH

Copyright 2018 School Library Journal, LLC Used with permission.

February 15, 2018
Prolific mother-and-son pair Yolen (Mapping the Bones, 2018, etc.) and Stemple (The Seelie King's War, 2016, etc.) return with another installment in their gritty noir graphic-novel series featuring a mystery-solving Scottish street urchin and his gargoyle employer.Picking up where the previous volume left off, orphaned Craig is still reeling from having to commit an unspeakable act against a dear friend. Despite his regrets, he continues to work as a detective for Silex, a stone gargoyle affixed to a church parapet who oversees the city below. When a seemingly anachronistic young woman shows up on the church doorstep claiming sanctuary, Craig and Silex must help her before another Mephistophelian force unleashes evil upon 1930s Edinburgh. Building upon the evangelical explorations of the first volume, this is a dark and introspective thriller mixing equal parts history, Christian theology, and mystery. Readers will notice a definite improvement in Zangara's (Stone Cold, 2016) moody black-and-white art; while he has sustained the atmosphere, he has sharpened his lines, rendering previously sketchy characters clearer and more distinctive. Each volume completes a case, although readers are forewarned of the religious and literary importance of the number three, laying the groundwork for what could only be Craig and Silex's next adventure.Although well-wrought, the elaborate combination of atmospheric historical details and a Christian theological slant may be daunting for some. (Mystery/fantasy. 10-14)

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