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Mantrapped

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
The Booker Prize nominee's quirky novel about a man and woman trading bodies, supplemented with her personal commentary: "Tremendously fun to read."—Booklist
Described as a "reality novel," Mantrapped reveals, in alternating chapters, personal reflections and observations of the acclaimed author Fay Weldon and the fictional story of a broke, fortysomething woman who brushes past a handsome male newspaper editor—and in that moment, mysteriously switches souls with him.
A follow-up to Weldon's autobiographical Auto da Fay, this creative concoction reminds us why the author of The Life and Loves of a She-Devil and dozens of other works is so renowned for her "piercing, insightful, razor-like wit" (The Washington Post), especially when it comes to the battle of the sexes.
"She's just so good...Weldon's extraordinary wit and insight ricochet through these pages."—The Baltimore Sun
"If you can just keep up with Weldon's madcap journey, Mantrapped is more than worth the trip."—O, the Oprah Magazine
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    • Publisher's Weekly

      September 27, 2004
      A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred review
      .
      MANTRAPPED
      Fay Weldon
      . Grove
      , $24 (320p) ISBN 0-8021-1787-2

      After many novels, screenplays, essays and an acclaimed memoir, Auto da Fay
      , Weldon now adds "reality novel" to her repertoire. Presented as a continuation of Auto da Fay
      , the book is a curious hybrid: something Weldon calls "novel and autobiography side by side, leaping from one to the other, but related." Its fictional protagonist is 44-year-old Trisha, who won the lottery, spent her fortune and is now relegated to niggling London poverty. Things take a turn for the worse when her soul exchanges bodies with that of young, handsome Peter. Now Doralee, Peter's life partner, is left to sort out an impossible situation, bemoaning the fact that there's no support group "for the transfer of your partner's being into someone else's shoddy, badly-looked-after body." These episodes are vintage Weldon: satirical, hyper-realistic and punctuated by biting truths. The autobiographical sections, interleaved with Trisha's story, are occasionally retreads of material from the previous volume, but mostly recount Weldon's further adventures as she juggles family and career. Weldon reveals the reality of her life behind her fiction, proving that "nearly everything you write about, you realize one day, has its roots somewhere in the past." Consider this the ultimate version of life and art imitating one another. Agent, Carlisle & Company. (Dec.)

      Forecast:
      Though fans of Weldon will be pleased, turning newcomers and fiction/memoir traditionalists on to this book may take more cajoling.

    • Library Journal

      August 1, 2004
      Gender- and genre-bending from the wicked Weldon. When Trisha and Peter pass on the stairs, their souls somehow switch bodies which is very hard to explain to Peter's wife. Meanwhile, Weldon drops in reflections on her own life.

      Copyright 2004 Library Journal, LLC Used with permission.

    • Library Journal

      Starred review from October 15, 2004
      Almost all writers draw on aspects of their own lives for the raw material of their books, but only someone as talented as Weldon-provocative, witty, and refreshing even at the worst of times-could carry off this hybrid (following Auto da Fay: A Memoir), which Weldon calls a "reality novel." Blowsy and down on her luck, Trisha takes a humiliating job at a dry cleaners after blowing all of her lottery winnings. Meanwhile, yuppie neighbors Peter and Doralee are basically happy together until the day that Peter and Trisha brush past each other on the stairs and, in a typical Weldonian plot twist, their souls switch bodies. Doralee drags the couple to psychiatrists and priests, hoping to find a way to fix the situation, but it takes an act of random violence to solve the problem. The fun comes when Weldon interrupts the novel with background from her own life that touches in some way on the experiences of her characters. Though it may drive catalogers crazy (fiction or nonfiction?), this is highly recommended for all public libraries. [See Prepub Alert, LJ 8/04.]-Nancy Pearl, formerly with Washington Ctr. for the Book, Seattle

      Copyright 2004 Library Journal, LLC Used with permission.

    • Booklist

      September 1, 2004
      Things are never simple with Weldon. She created a firestorm with her last novel, " The Bulgari Connection " (2001), for accepting money from Bulgari in return for product placement. Now, after a fashion, she offers a follow-up to her wonderfully engaging memoir, " Auto da Fay" [BKL Mr 15 03]. In alternate chapters, she weaves together a novella about gender switching with autobiographical passages mainly concerned with the dissolution of her 30-year marriage. Some readers may wish for a more straight-ahead account of Weldon's marital woes, but perhaps out of boredom with her own life story or perhaps out of a desire to skirt painful personal issues, she has decided to pair her nonchronological reminiscences with a fictional take on gender roles. When Trisha and Peter pass each other on the stairs of a Laundromat, they mysteriously switch souls. Health fanatic Peter suddenly finds himself in the much older body of a dissolute free spirit, while Trisha feels liberated by her new trim form. However, Peter's wife is at first appalled and then intrigued by the many sexual ramifications of the mix-up. Surprisingly enough, this odd hodgepodge of fact and fiction is tremendously fun to read, due, in part, to Weldon's high amusement at her own shortcomings and her continuing ability to confound expectations. (Reprinted with permission of Booklist, copyright 2004, American Library Association.)

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