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The Secret Society of Demolition Writers

Stories

ebook
1 of 1 copy available
1 of 1 copy available
What would you write if no one knew who you were?
In the spirit of the demolition derby, where drivers take heedless risks with reckless abandon, welcome to the first convocation of the Secret Society of Demolition Writers. Here is a one-of-a-kind collection by famous authors writing anonymously–and dangerously. With the usual concerns about reputations and renown cast aside, these twelve daredevils have each contributed an extreme, no-holds-barred unsigned story, each shining as brightly and urgently as hazard lights.
Unconventional and unapologetic, this publishing equivalent of a whodunit features an eclectic group of fictional characters, including a delusional schizophrenic narrator, an egg donor with second thoughts about her decision, a pharmacist who forms a weird crush on a woman who beat both of her parents to death, and a little girl who understands that an old safe is the threshold to another, ghostly, world. Equally diverse and surprising are the authors themselves: Aimee Bender, Benjamin Cheever, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Rosie O’Donnell, Chris Offutt, Anna Quindlen, John Burnham Schwartz, Alice Sebold, Lauren Slater, and Marc Parent, the editor of the collection. Never before has such a wide-ranging and talented group of authors been assembled to such explosive and entertaining effect.
The Secret Society of Demolition Writers is an intriguing puzzle in itself, but it’s also an important addition to the careers of some of our finest storytellers–even if we never really know who wrote what. Its boundary-smashing fiction offers exhilarating proof that for an artist, withholding your identity can mean gaining your freedom.
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    • Publisher's Weekly

      May 9, 2005
      Instead of whodunit, this anthology of 12 anonymously penned short stories asks "who wrote it?" Parent gathers tales by well-known authors (including Aimee Bender, Michael Connelly, Sebastian Junger, Elizabeth McCracken, Anna Quindlen, Alice Sebold and himself) under the premise that freedom from reputation and byline leads to exciting storytelling. The device is intriguing—like a blind taste test—but potentially frustrating: the fun of the blind taste test, after all, is when you learn the name of your favorite flavor. And though many pieces deal with dark subjects, it's difficult to feel that anonymity has encouraged much authorial risk. A man falls in love with a women who's killed her parents; a father-to-be unleashes a ghost into the world; two young travelers are caught in a West African war. The finest story in the collection, "Wonderland," centers on a fashion magazine editor—"a fash-mag hag"—recalling a college affair with a custodian that led to unexpected consequences. The quality of the stories varies, but overall is high: why doesn't everyone just slap their names on what they wrote? Maybe because then it'd be just another anthology.

    • Library Journal

      June 15, 2005
      Writers of serious literature must often struggle with the expectations imposed on them by the reading public, the demands of the marketplace, and their own reputations. With this accomplished and intriguing collection, Parent ("Turning Stones") set out to provide a moment of liberation. He invited a small group of well-known contemporary writers (including Aimee Bender, Benjamin Cheever, and Alice Sebold) to contribute anonymously to this book -to see what might happen if they could write fearlessly, as if they had "nothing to lose." We know the names of all the contributors but not who wrote what; the results are fascinating. As a group, these stories are beautifully realized, deeply satisfying in their variety, and powerful in their cumulative impact. They deal mostly with serious moments of human connection, disconnection, and hard-won personal clarity -and they do not shrink from confronting pain, loneliness, and confusion. Much more than a charming literary experiment, this is, indeed, literature at its most compelling and fearless. Enthusiastically recommended. -Patrick Sullivan, Manchester Community Coll., CT

      Copyright 2005 Library Journal, LLC Used with permission.

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