You May Now Kill the Bride

April 1, 2018

Gr 7 Up-Two sisters, separated by decades, chafe at their prettier, more popular sisters and covet their love interests. In revenge, they dabble with their family's largely forgotten supernatural powers and deadly consequences ripple across time. In 1923, Ruth-Ann tries not to feel bitter about her "princess perfect" older sister Rebecca, and finds happiness with boyfriend Peter. When Peter and Rebecca betray her, not even Ruth-Ann understands the extent of the curse unleashed at their Colorado wedding. Fast-forward to modern times and another Fear sister, Harmony, is at the same doomed location for the wedding of her flawless sister Marissa. When Marissa disappears, is it due to Harmony's meddling spells or something worse? Stine's short paragraphs and an increasingly frenetic pace and mood make it a great pick for reluctant readers. Told in four parts, the narrative's repetitive last section may have readers skipping pages to get back to the action. There are echoes of The Shining and plenty of red herrings to keep teens guessing at the outcome. The cover has a retro feel, but the continual equation of the "prettiest" sister as always the "good" one feels anachronistic. VERDICT A must-have for middle and high school libraries; a great transition series for students entering high school.-Lee De Groft, Jamestown High School, Williamsburg, VA

Copyright 2018 School Library Journal, LLC Used with permission.

May 15, 2018
The enduring franchise relaunches with yet another No.1.Fear Street was never quite the brand Goosebumps was; grittier and bloodier than the latter's Twilight Zone-esque stories. This offering hopes to leverage that grit, and it leans heavily on terror tropes of old, particularly evoking Stephen King. Of course, this is what Stine (Mary McScary, 2017, etc.) has always been best at: tossing current trends, personal fears, and literary legacies into a blender and delighting in the result. Readers will delight too. Ruth-Ann and Rebecca Fear are two affluent sisters in the 1920s, squabbling for love and control of their futures. In the present, Harmony and Marissa Fear are fighting similar psychological warfare with mixed results. Witchcraft rears its head, and the Fear family curse spans time itself and locks these two pairs of white siblings in a peculiar, terrifying dance. The excitement is in the execution, and Stine hasn't lost his ability to pull strings and make readers squirm, flipping pages as fast as possible in anticipation for the next bloodcurdling sight. The book's ending is a bit muddled: The resolution is creatively exciting but doesn't make much sense when considered for internal logic. But then, Stine's work has never been about substantive thought. Stine is about mood, tingles, and blood. This title has got plenty of that.A very good Fear Street book, with all that that implies. (Horror. 12-16)

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