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The Vault

Inspector Wexford Mysteries Series, Book 23

#23 in series

Audiobook
3 of 3 copies available
3 of 3 copies available
With several Edgar Awards and a CWA Cartier Diamond Dagger Award for lifetime achievement to her credit, Ruth Rendell is considered a master of the mystery genre. A companion piece to A Sight for Sore Eyes, The Vault finds Inspector Wexford getting pulled out of retirement to assist with a chilling case involving four bodies-three old and one new-found down an unused coal hole. ". an undoubted tour de force ."-Kirkus Reviews
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    • AudioFile Magazine
      Reg Wexford, Rendell's long-admired detective inspector of Kingsmarkham (since 1964), has retired and now lives part time in London, where he becomes involved in a gruesome discovery: Three old corpses and a newer one are found in a coal bin. The carefully structured plot unfolds neatly. Narrator Steven Crossley gives longtime Wexford enthusiasts a vivid presentation of the detective we've come to love. The other characters--nasty neighbors, fussy family members, vicious thugs, exploited Eastern European girls, and other Londoners--are convincingly portrayed and distinctive. It's good to light upon Reg and family again, especially as they are illuminated by the talents of Steven Crossley. D.L.G. (c) AudioFile 2011, Portland, Maine
    • Publisher's Weekly

      July 25, 2011
      In Rendell's fine follow-up to A Sight for Sore Eyes (1999), a non-Wexford novel in which a working-class aesthete's quest for beauty earned him an ugly, unexpected end, horror strikes the home improvement plans of Martin and Anne Rokeby. The couple are seriously disconcerted to discover multiple bodies in varying states of decay in a long-forgotten vault beneath their London garden. In the art world, the Rokebys' address is famous as the setting of a '70s-era masterpiece, Marc and Harriet in Orcadia Place, a painting depicting a rock star and his girlfriend. Though Inspector Wexford has retired, the police soon summon him to help solve this most gothic case. Has more than one killer used the vault as a body dump? Rendell's recent style can feel a bit anemic when contrasted with that of A Sight for Sore Eyes, and she populates this sequel with people who resemble sketches rather than vivid, complex characters. Still, this easily outshines most of the competition on either side of the Atlantic.

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  • English

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