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The Murder Room

Audiobook
1 of 1 copy available
1 of 1 copy available
The Dupayne, a small private museum on the edge of London's Hampstead Heath devoted to the interwar years 1919-39, is in turmoil. The trustees—the three children of the museum founder, old Max Dupayne—are bitterly at odds over whether it should be closed. Then one of them is brutally murdered, and what seemed to be no more than a family dispute erupts into horror. For even as Commander Adam Dalgiesh and his team investigate the first killing, a second corpse is discovered. Clearly, someone at the Dupayne is prepared to kill, and kill again.
The case is fraught with danger and complexity from the outset, not least because of the range of possible suspects—and victims. And still more sinister, the murders appear to echo the notorious crimes of th epast featured in one of the museum's most popular galleries, the Murder Room.
For Dalgiesh, P.D. James's formidable detective, the search for the murderer poses an unexpected complication. After years of bachelorhood, he has embarked on a promising new relationship with Emma Lavenham—first introduced in Death in Holy Orders—which is at a critical stage. Yet his struggle to solve the Dupayne murders faces him with a frustrating dilemma: each new development distances him further from commitment to the woman he loves.
The Murder Room is a story dark with the passions that lie at the heart of crime, a masterful work of psychological intricacy. It proves yet again that P.D. James fully deserves her place among the best of modern novelists.
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    • AudioFile Magazine
      In the most recent installment in P.D. James's hugely popular series featuring Commander Adam Dalgliesh of Scotland Yard, a trustee of the quirky Dupayne Museum has been brutally murdered. Many of the large cast of characters might have done the deed, and, to complicate matters, James adds numerous subplots. It's all adroitly done and great fun--James at her best. Charles Keating is expert with both the narration and the wide range of characters. He is particularly talented at creating accents and speech patterns that illuminate personalities. While he is generally better with male voices than female ones, that is true for many male narrators and isn't a serious quibble. An utterly involving listen. R.E.K. (c) AudioFile 2004, Portland, Maine
    • Publisher's Weekly

      September 15, 2003
      Neither the mystery nor the detective present James's followers with anything truly new in her latest Adam Dalgliesh novel (after 2001's Death in Holy Orders), which opens, like other recent books in the series, with an extended portrayal of an aging institution whose survival is threatened by one person, who rapidly becomes the focus of resentment and hostility. Neville Dupayne, a trustee of the Dupayne Museum, a small, private institution devoted to England between the world wars, plans to veto its continuing operation. After many pages of background on the museum's employees, volunteers and others who would be affected by the trustee's unpopular decision, Neville meets his end in a manner paralleling a notorious historical murder exhibited in the museum's "Murder Room." MI5's interest in one of the people connected with the crime leads to Commander Dalgleish and his team taking on the case. While a romance develops between the commander, who's even more understated than usual, and Emma Lavenham, introduced in Death in Holy Orders, this subplot has minimal impact. A second murder raises the ante, but the whodunit aspect falls short of James's best work. Hopefully, this is an isolated lapse for an author who excels at characterization and basic human psychology. (Nov. 18)Forecast:This BOMC main selection, with its 300,000 first printing, is likely to do as well as other recent titles in this sterling series, despite its weaknesses.

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